Editing Shortcuts For Writers – Writer’s Tribe Talk Show Interview

Editing Shortcuts For Writers – Writer’s Tribe Talk Show Interview

Writer's Tribe Talk Show

If you could use some editing tips, then I’d love for you to check out my interview on The Writer’s Tribe Talk Show. Host Elsa Kurt asked me lots of insightful questions about my writing journey, how I became an editor and online course creator, and the common mistakes that writers make.

We talked about the ups and downs of the publishing path and why most new authors are flabbergasted when they read their first editorial letter. You’ll hear about the shock I experienced as a teen author receiving editing feedback.

We also shared some helpful advice for busy authors. You can watch the interview on YouTube (see the video below) or listen on your favorite podcast app including Apple Podcasts  and Spotify.

Be sure to check out other episodes of the podcast as well. Elsa talks about all things writing, publishing, and promoting. She has interviewed authors in many genres and has also discussed topics like TikTok for Authors, Imposter Syndrome, your elevator pitch, and roadblocks to writing.

 

 

 

Take On The Grammar Habit With These Simple Steps

Take On The Grammar Habit With These Simple Steps

grammar habit

If grammar is your nemesis as a writer, then let me introduce you to Ellen Sue Feld, the creator/instructor of online grammar refresher courses at grammar-lion.com and the author of Comma Sense: Your Guide to Grammar Victory. Below, Ellen offers valuable advice on building a good grammar habit.

Because I teach grammar, people assume I believe good grammar is the key to good writing. But I don’t believe that, not for one second. Here’s what I do believe: Your creative process is the most important part of your writing. Checking for good grammar comes later. Good grammar doesn’t make good writing, but good writing demands good grammar.

So how do we make good grammar a natural part of our writing process? By developing good grammar habits!

Recently, I listened to a podcast about the new science of habit building. (The good news is that we don’t have to harness anything magical or elusive, like willpower.) We can build good grammar habits using the same strategies that work for building any new habit.

Here’s the current thinking:

  • Desire the habit.
  • Start small.
  • Attach the new habit to an existing habit.
  • Make it fun.
  • Do it with consistency.
  • Create accountability and/or support.

Whew! That may sound like a lot. But don’t worry. While developing good grammar habits, you don’t need to employ all the strategies above. Sometimes just a few will do the trick.

I’m going to add a couple of my own that have proved true in my experience as an instructor and writer:

  • Expand what you know (i.e., remain open to learning).
  • Listen selectively to what others have to say; be discerning in your research.
  • Commit to reviewing your work before sharing or submitting it.

Let’s make this real with some common grammar problems you’ll want to consider:

  • run-on sentences
  • lack of subject-verb agreement and pronoun-antecedent agreement
  • homophones
  • random commas and lack of commas
  • ambiguous pronouns
  • wordiness
  • shifts in person and tense
  • dangling and misplaced modifiers
  • punctuation with quotation marks
  • punctuation with conjunctive adverbs
  • capitalization

We all come to grammar at our own starting place. Cross off what you don’t need to work on, and add more topics as you think of them.

Building Good Grammar Habits

Now let’s use habit building to turn around these grammar problems in our writing. For our example, we’ll use homophones as our target good grammar habit.

  • Desire the habit. If the desire isn’t there, you’re unlikely to develop a good new habit. So what might motivate you as a writer? Consider this: Your writing is a reflection of who you are, and you want the best possible reflection. In other words, you don’t want anything to detract from the overall picture of the wonderful writer you are. Good grammar will enhance your writer’s image.

Resolve: I want my writing to be polished and professional. And I want to have confidence in my writing whenever I share it with someone else.

  • Start small. You don’t have to know everything. Begin with one, two, or three points of grammar to master. You can always challenge yourself later with additional topics.

Resolve: I want to be sure I’m using the right homophone. I’m aware I sometimes mix up their, there, and they’re even though I know the differences. I’ll pay more attention to this.

  • Attach the new habit to an existing habit. You’re already set because you’ve attached the habit of using good grammar to your existing habit of writing and editing. One of the great things about grammar is that you get to practice your skills every time you write. Practice is naturally built in to the process!

Resolve: When I’ve finished writing, I’ll review my work and look for their/there/they’re to make sure I’ve used them correctly. I’m also going to start a list of homophones I mix up. I’ll check my writing against that list.

  • Make it fun. Reward yourself. Use what’s positive for you. Here are a few ideas for adding pleasure to your grammar-check process: Eat a jellybean when you catch an error. Play your own special grammar-check music in the background. Compile a list of the errors you catch so that your pride in recognition will grow as your list grows.

Resolve: I love numbers and puzzles as much as I love words, so I’ll enjoy solving a sudoku after I do a grammar check. 

  • Do it with consistency. This may feel hard. We’re often pressed for time. But try your best to factor in time for a grammar check. It’s a vital part of your writing process.

Resolve: I’ll look for homophone errors in all my writing, including emails and texts.

  • Create accountability. If you thrive on community support, go ahead and tell someone about your new plan to build good grammar habits. Keep them updated on your progress. And if you like to work solo, that’s fine, too. You can be accountable to yourself.

Resolve: This is a pact I’m making with myself.

  • Be open to ongoing learning. You’re learning every time you look up something online, go to a dictionary, take a course, or ask another writer a question. Every little bit you learn and put to use contributes to big changes in your writing.

Resolve: A writer friend just mentioned whet/wet to me in the expression “whet your appetite.” I always thought it was “wet your appetite”! Though I’m aware of a few other homophones I misuse, I’m going to have some fun perusing lists.

  •  Be discerning. There’s a lot of information out there. You know not all of it is legit. Some well-meaning people can inadvertently spread misinformation. Vet your sources. For example, if a grammar information site is connected to a university, it’s more likely than a random site to be trustworthy.

Resolve: I just found a comprehensive online grammar resource. It’s a writing lab that’s part of a public university, and it’s available to everyone. It’s easy to use, and I can trust what I learn there.

  • Review your work before submitting. When you’ve finished writing, take a break. Walk away. Distance will help you spot errors when you come back. Then read through your work in an unhurried way. Because we get accustomed to our own words, it’s easy to overlook errors. Reading aloud can help. Another useful technique is reading your work from the bottom up, paragraph by paragraph. If you can, read from a print version instead of on the screen.

Resolve: I’m going to factor in a few minutes of grammar review time for every thousand words. This will allow me be methodical and relaxed.

You may be wondering how long it takes to build a new habit. It depends on how complex the habit is and how often and how much you get to practice. The more consistent you are—as in doing a grammar check and making corrections every time you write—the quicker you’ll develop the habit. But this isn’t a race. Good grammar habits are for the long term, for as long as you are a writer.

Come join us at Grammar Lion of Facebook (@grammarlion). We’re a diverse, international, nonjudgmental group of learners who aim to let no grammar question go unanswered. Everyone is welcome!

(Thank you to Hidden Brain for producing and sharing the podcast “Creatures of Habit.” You can find it here: https://hiddenbrain.org/podcast/creatures-of-habit/ )

 

More About Ellen’s Grammar Book

 

national grammar day

Comma Sense: Your Guide to Grammar VictoryLearn the rules of adverbs, punctuation, abbreviations, prepositions, and much more. Ellen covers topics such as em dashes, parentheticals and parallelism, diction and logic, run-on sentences and sentence fragments, and more. Become a master of capitalization and punctuation, subjects and predicates, and contractions and possessives. After every chapter, take a quiz to practice your new grammatical skills in this great grammar workbook. At the end of the book, a comprehensive test allows you to utilize all you have learned. At 512 pages, there is lots of content in this book! Readers who enjoyed The Elements of StyleActually, the Comma Goes HereThe Blue Book of Grammar and Punctuation; or The Perfect English Grammar Workbook will love Comma Sense: A Guide to Grammar Victory

“In her new book, Comma Sense, Ellen Sue Feld demystifies grammar with clarity, conciseness, and empathy.”
—Anu Garg, author and founder of Wordsmith.org

“If you really want to go deep into the ‘how’ and ‘why’ of grammar, then Comma Sense is for you. Ellen covers the basics like a pro and delivers practical examples to help you learn. You’ll never mess up ‘lie’ and ‘lay’ again!”
—Lisa Lepki, CMO at ProWritingAid

Buy it on:

Amazon

Barnes and Noble 

Bookshop 

Mango 

International via Book Depository

Learn more about Ellen here.

About The Grammar Refresher Course

Ellen also offers a self-paced online course, I recommend the course for those who struggle with issues such as:

  • Parts of speech
  • Contractions and possessives
  • Subjects and predicates
  • Sentence fragments
  • Run-on sentences
  • Agreement
  • Shifts in person, tense, and structure
  • Capitalization and punctuation

 Enroll here!

5 Common Mistakes Authors Make When Outlining Novels

5 Common Mistakes Authors Make When Outlining Novels

outlining a novel

I’m sure you’ll enjoy this guest post on outlining from Rose Atkinson-Carter, a writer with Reedsy.

It’s one of the greatest debates in the #amwriting world: should you outline your novel before writing it, or should you pants it?

At the end of the day, the answer is simple: you should do whatever works best for you. That said, if you decide to give outlining a book a shot, stay alert. Outlining isn’t as clear-cut as copyrighting a book there are many ways to go about it. And while it’s a process that works magic for many authors, there are still a number of pitfalls that you can fall into along the way.

So without further ado, here are the top five common mistakes that you should watch out for while outlining your own book.

1. Sticking too much to the outline

Many authors make the mistake of outlining their story, then thinking to themselves, “Well, now I have to follow this word-for-word for the rest of time.” But that couldn’t be further from the truth! As Captain Barbarossa in Pirates of the Caribbean says, “The outline is more like guidelines than actual rules.”

Which is to say, an outline exists to guide you to the end of your story — not to restrict you as you’re writing it. Things are always going to be different when you start writing. Scenes might be longer than you expect. Characters might be the complete opposite of what you expected. Writing is always an act of discovery, and sticking too much to an outline kills that creative process. Let your story breathe when it needs to.

2. Trying only one kind of outline

Like Jolly Ranchers, there are many flavors of outlines in the world — and any one of them could work for you, depending on what kind of a writing mood you’re in. For instance:

Do you have a jumbled mess of ideas in your head that might just come out to a story? You might want to try to mind map it first to organize all of your thoughts.

Do you already have a vague idea of your plot in mind, but don’t know how to flesh that out further? Then a beat sheet might be best for you.

Do you have a few key scenes in mind already? Then you might want to outline your story’s broad sequences —perhaps mapping it on the Three-Act structure — to get a sense of the overall arc of the story.

Trust me: there’s an outline for each writer out there. Just compare J.K. Rowling’s outlines to Joseph Heller’s! Their respective niches might have something to do with it: Harry Potter was, of course, published by YA publishers, meant to be read by a YA audience. As such, it was quite plot-oriented, which her outline reflects.

On the other hand, Joseph Heller’s outline for his literary fiction novel is much more character-focused. So don’t be afraid to branch out, depending on your genre. The most important thing is to keep experimenting to figure out which type of outline best suits your needs.

3. Neglecting the “big picture”

It’s easy to look at a completed outline and think that you have your entire story figured out. After all, you’ve got all of your scenes down on the page in front of you, haven’t you? Does that not a story make?

Not quite.

An outline might give you the skeleton of your book, easily affording you a bird’s eye view of all of your scenes at once. However, that doesn’t necessarily mean that you’ve unlocked your themes yet—which is the heart of every story.

Themes and motifs most often emerge while you’re actually writing your book — that’s when you’ll start noticing patterns in the symbolism that you’re using and the messages that you’re conveying. Time and again, an author will only figure out what they’re trying to say only once they’ve finished the first draft. But if you’re outlining, never fear. As long as you keep this “big picture” top of mind while you’re constructing your scenes and sequences, then you’re already off to a running start.

4. Thinking of the outline as an extra step

If you ever find yourself thinking about your outline as a chore to get over with, or start to drag your feet whenever you return to your outline, stop. Drop your pencil. Turn to a blank page in your notebook. And just start writing your book.

You should think of the outline as the first step of your book, but the fun part is that it’s over whenever you want it to be over. You don’t necessarily need to plot out your entire story in order to have “officially” finished outlining. Even a broad sketch of your book’s arc is good enough to be your story’s guideposts in the future! After all, nobody’s grading your outline: it’s just a tool for you, so go along with it only as far as you need to.

So don’t feel compelled to outline every single nitty-gritty detail of your story. When you begin to see the outline as an extra step — not just the first — then that’s probably a sign that you’re ready to move on and start writing your book.

5. Spending too much time outlining

Last but not least, remember that an outline is not your be-all-end-all goal. It’s not the pot of gold at the rainbow. That should be your book. Not to mention that a first draft will always be subject to some rewriting anyway!

So don’t make the mistake that many authors make: spending so much time obsessing over their outline that they never get around to writing the actual book. There’s a point when outlining actually becomes counterproductive to your purposes because it’s stalling you from plunging ahead with your book.

Some authors find it difficult to move on from outlining because their outline has become too much of a safety net. Stepping out from that comfort zone to actually confront that blank page might be one scary leap, but take that leap with faith. Who knows? At the end of it, you might just emerge with a fully-formed book that’s ready to submit to publishers in the UK and all over the world — made all the better for the effort that you put into outlining it.

About the Author

Rose Atkinson-Carter is a writer with Reedsy, a marketplace that connects authors with the world’s best self-publishing resources and professionals like editors, designers, and ghostwriters. She lives in London.

6 Ways to Truly Get to Know Your Characters @thenovelsmithy

6 Ways to Truly Get to Know Your Characters @thenovelsmithy

 

get to know your characters

Thanks to Lewis Jorstad of the Novel Smithy for this guest post. Be sure to head over to his blog to read my post on 5 Line Editing Tips for Polishing Your Prose. 

When most writers sit down to outline their characters, their first order of business is creating a character profile. These profiles are a lot like dossiers from spy movies. Just like 007’s file might contain details about his appearance, skills, and relationships, so too will your character’s profile.

However, when writing a novel, appearances and relationships aren’t enough.

Unlike the baddies in spy movies, you aren’t just out to kill your characters—at least not right away! Instead, you’re trying to create a vibrant, realistic person for your readers to latch on to, meaning you need to delve deep into what makes them who they are. From their goals and desires, to their darkest fears, history, and inner struggle, these are the elements that will truly bring your characters to life.

With that in mind, let me walk you through six things you should know before writing your novel’s cast!

6 Things to Know for Every Character You Write

#1 – Their Role in Your Novel:

First things first—you need to know what role your character plays in your story.

Are they your protagonist, or are they a villain? Are they a mentor, shadow, shapeshifter, or herald? Regardless of what their role is, knowing it ahead of time will help you better understand who this character is in the context of your story.

This distinction is important. Knowing your character as a person is great, but you also need to understand how they’ll shape your novel itself. After all, your novel’s hero will be very different than a sidekick or minor antagonist—and thus will require a different level of detail.

Example: Luke Skywalker is the protagonist of Star Wars: A New Hope, while Ilsa Lund is an ally and shapeshifter in the movie Casablanca.

#2 – Their Story Goal:

Next, your character’s story goal is the personal goal or motivation that defines their adventure. This is what will push them to get involved in your plot, and it’ll stick with them for the majority of your novel, shaping every decision they make along the way.

Because of this, story goals are a critical piece of the character development puzzle. Conflicting story goals often cause characters to fight, get into trouble, and generally spark the kinds of interesting, complex situations that make for a good story!

Luckily, finding your character’s story goal is fairly simple.

Ask yourself—what do they want to achieve throughout your novel? Why do they get involved with your plot in the first place? What motivates them to take action? Once you answer these questions, you should have a solid idea of what story goal your character is pursuing.

Example: Luke Skywalker’s story goal in Star Wars: A New Hope is to prove himself capable of becoming a Jedi, while Ilsa’s goal is to escape the Nazis with her husband.

#3 – Their Inner Struggle:

Of course, your characters can’t achieve their goals too easily. Alongside plot-related hurdles, they’ll also need to face a major internal challenge or obstacle in order to earn their success. This obstacle is their inner struggle. Also called their lie or wound, this is a harmful belief or inner conflict that holds your character back throughout their journey—meaning overcoming it is the real point of their quest.

Fortunately, much like the story goal, the easiest way to find a character’s inner struggle is by asking a few targeted questions. What does your character believe about themselves or their world? How does this prevent them from achieving their goals? What lesson will they need to learn throughout their journey? Are they successful?

Once you’re considered these questions, you should be able to sum up your character’s inner struggle in a sentence or two.

Example: Luke Skywalker’s inner struggle is the belief that he’s a simple farm boy who’s incapable of greatness. Meanwhile, Ilsa’s inner struggle is her belief that she can ignore her love for Rick.

#4 – Their Backstory:

Moving on, we come to backstory.

Backstory is a tricky subject, because it’s easy to fill whole books with nothing but your character’s history. After all, we all have a list of life experiences that shape who we are, and the same is true for our characters. Every character you write will have some kind of past, and that past will influence their actions.

The question is, do you really need to write pages and pages of backstory?

Well, the short answer is no. Believe it or not, you only need to know one or two key events to understand your characters’ histories. These events are the most impactful experiences of their lives and are often the source of their inner struggle. So, think about the major events that define your characters! While you’re welcome to explore more of their backstory if you choose, these should be more than enough to provide context for who your characters are.

Example: Luke Skywalker was left with his aunt and uncle as a baby, meaning he spent his whole childhood daydreaming about his father’s life as a Jedi. As a result, he desperately wants to live up to his father’s legacy. Likewise, Ilsa’s backstory centers on her time in Paris with Rick, and the difficult decision she made to abandon Rick and return to save her husband when the Nazis invaded.

#5 – Their Character Arc:

Character arcs are a big topic in the writing world, and for good reason. Not only do arcs shape our characters’ personal journeys, but they often determine the kind of story we end up telling, too.

If you aren’t familiar with what a “character arc” is, this is the inner journey your character goes on throughout your novel. This arc can take one of three shapes:

  • A Positive Arc: Here your character learns to overcome their inner struggle and grow as a person, thus triumphing over the main conflict of their story.
  • A Negative Arc: Here your character ends up overwhelmed by their inner struggles, ultimately becoming a worse version of themselves and failing in their quest.
  • A Flat Arc: Here your character isn’t concerned with their own growth, but with guiding and teaching their world. To succeed in their arc, they must heal the inner struggle of the people around them.

Regardless of which arc your character follows, this arc will determine the path they take throughout your story—as well as how the other elements we’ve discussed play out. Do they learn and grow, wither and decay, or teach and heal?

Of course, not every character warrants an arc. Character arcs require a lot of time to develop, meaning they’re usually reserved for major characters like your protagonist, key allies, and your antagonist. Whether other character in your story warrant an arc is ultimately up to you!

Example: Luke Skywalker follows a positive arc, as does Ilsa. Both manage to overcome their inner struggle and succeed during the finale of their stories.

#6 – Their Beginning and End:

Finally, we come to your character’s “plot arc.”

You see, even characters without a character arc will still begin and end your story in different places. For instance, someone who starts your story a coward might eventually gain the courage to chart their own path—or they may fade into obscurity, unable to stand up for themselves. Likewise, a character who begins your novel as the school bully might end it isolated from their peers.

Whatever this journey looks like, identifying both its beginning and end (before you begin writing) will help ensure your characters remain dynamic. Even if their plot arc is subtle, it’ll still lend a sense of impact to your novel. After all, seeing characters change on the page is the best way to show your reader just how much your plot matters!

Example: Luke begins his story unsatisfied with his life as a farm boy and ends it as a hero of the rebellion. Ilsa begins her story running from the Nazis and lying to herself about her loyalties. She ends it having accepted that she can love Rick, while still standing by her husband.

————

In the end, these six elements should go a long way in helping you better understand your cast, and eventually turn that cast into a vibrant part of your novel.

Best of all, this information doesn’t have to take weeks and months to create! Grab a sheet of paper, jot down your character’s name, and then write a single paragraph for each of the components we discussed. By the time you’re done, I’m confident you’ll see your character with a fresh set of eyes.

More About Lewis

know your charactersLewis Jorstad is an author and developmental editor who helps up-and-coming writers hone their writing their craft over at The Novel Smithy. When he isn’t working on the next book in his Writer’s Craft series, you can find him playing old Gameboy games and sailing somewhere around the eastern half of the US. You can also check out his free ebook, The Character Creation Workbook, and grab a copy for yourself.

Follow  Lewis on:

Twitter

Pinterest

Instagram

 

Editing And Formatting For Authors Free Workshop Replay @AuthorEncounter

Editing And Formatting For Authors Free Workshop Replay @AuthorEncounter

editing and formatting for authors
Last weekend, I was honored to participate in an Editing and Formatting for Authors panel discussion organized by my friends Nan and Bethany at The Author Encounter. This event was part of The Author Encounter’s Indie Author Day. I was joined by freelance editor Deb Ewing and formatter Tamara Cribley of The Deliberate Page. (You can see my editing services here!)

Often the difference between an amateur book and a professional book is in the details. When it comes to publishing, those details are editing and formatting. In this candid discussion, we talked about the different types of editing and formatting and how to use them to produce a professional published book.

Topics included common mistakes that writers make when working with an editor, how editors decide which clients to work with, formatting trends for different genres, and more. Watch the video below for the replay.

The goal of The Author Encounter is to bring together authors and readers in a unique and intimate setting designed to give authors a chance to connect with their fans, and the fans (readers) the opportunity to spend time with their favorite authors, ask questions, and be a part of the stories and worlds created by the authors. You can learn more about their events and how to join here.

 

Improve Your Skills With These Free Grammar Resources

Improve Your Skills With These Free Grammar Resources

 

 

Grammar Resources

I’ve found some wonderful free grammar resources to share from my friend Ellen at Grammar Lion, which you’ll find listed below. As a freelance developmental editor and line editor, I work with a lot of writers. Many of them have problems with grammar and punctuation and I explain that they will definitely need to hire a copyeditor and proofreader for their final draft.

Some of my clients have grammar struggles due to learning disabilities, or maybe English isn’t their first language. For others, grammar doesn’t come as naturally to them as the creative part of writing a book. They might have errors in every line of the manuscript, or they may just need to brush up on certain rules such as when to use a comma and how to punctuate dialogue. For many of them, high school English class was a long time ago.

While I do light copyediting on my clients’ manuscripts, my focus is on developmental and line editing. There’s no sense fixing all the commas and run-on sentences when the manuscript needs structural rewrites as all those little changes will become obsolete. I will never specialize in copyediting or proofreading as in all honesty, I don’t like it. I find it tedious, and while I have a copy of The Chicago Manual of Style on my bookshelf, that is one monster of a book. It’s huge with small print, and I don’t enjoy hunting through it, trying to find the answer to small stylistic questions. I’d much rather brainstorm with the author on how to flesh out a character, or tinker with a sentence to make it more active and engaging.

When I work with a client who struggles with grammar and punctuation, my job as the developmental editor isn’t to fix the mistakes. Instead, my role is to point out the problems to make sure the writer is aware of it. I’ll give a few examples of how to make a sentence grammatically correct and point the client toward resources to help with their weaknesses.

First, I recommend purchasing ProWritingAid, a grammar checker and style editor. You can watch my YouTube demo of ProWritingAid here and get my special discount code and bonus offer.

Second, I recommend that these writers visit my friend Ellen Feld at Grammar Lion, the creator/instructor of online grammar refresher courses that have served over 44,000 students. She’s worn a variety of editorial hats, including newspaper reporter and copy chief, personal essayist, website reviewer, writing coach, and developmental editor. Ellen has a master’s degree in writing from the Johns Hopkins University and is the author of the children’s storybook Paragon and Jubilee.

You can find out more about her free grammar resources and paid grammar course below. While copyeditors and proofreaders may always be necessary for some authors, the more you can improve your grammar skills on your own, the better off you’ll be. Some copyeditors charge by the hour, so if you turn in a cleaner manuscript, it will lower your cost. Even if they charge a flat fee, that might be for one round of copyediting. I’ve seen manuscripts so riddled with errors that it would take multiple rounds of copyediting and proofreading to get it ready for publication. If you submit a more polished draft, you can reduce your expenses. Ellen’s courses are a great investment for writers who need to do a deep dive into grammar and punctuation or refresh their skills.

Free Grammar Resources


Grammar lion

Grammar Lion: Comma Mini-Course (Free) – Master the comma and write more effectively starting today with this free mini-course. Don’t let this little punctuation mark slow you down. Stop random comma use and say goodbye to wasting time on comma decisions. In approximately thirty minutes, you’ll know when to say yes to a comma. You’ll also learn when to say no.

Grammar Lion Pretest (Free) – Grammar can be fun when you know the rules! Try the pretest to gauge your grammar know-how. Challenge yourself with thirty-three grammar questions.

Grammar Lion: A Grammar Refresher(Paid) This comprehensive online course will help you navigate the linguistic twists and turns of American English grammar. Take your time and enjoy twelve weeks of learning. I have gone through the course myself, and love how Ellen includes quizzes to assess your skills and determine whether you need to continue reviewing a topic. She gives lots of examples and makes the intimidating world of grammar much easier to navigate.

If you need to review your grammar skills, start with the free comma mini-course and the pretest. You’ll be on your way to mastering grammar and punctuation in no time.

Please note that affiliate links are included in this post, so I will receive a small commission if you make a purchase, however, I’m only an affiliate for products that I recommend.

 

Self-Editing Tips For The Indie Author Podcast Interview @lkhillbooks

Self-Editing Tips For The Indie Author Podcast Interview @lkhillbooks

Self-editing tips

Do you know you need editing, but are worried about how you’re going to afford it? Would you love to do a lot of it yourself, but know you have blinders on when it comes to your own work and that self-editing may not be your strong suit? Never fear! Recently, my friend Liesel Hill interviewed me on The Prolific Author Podcast. The topic was self-editing tips for the indie author. You can also find the interview at the bottom of this post.

I’m an author herself, and as someone who also does a lot of editing for other indie authors and has created a self-editing online course, I have a unique perspective. Give the interview a listen to learn some self-editing tips and find out how you can improve your revision and rewriting skills. You just might save yourself tons of time and expense on editing!

If you haven’t listened to The Prolific Author Podcast before, you’re in for a treat. Liesel is a USA bestselling author and Story Clarity Coach, and her podcast is a wealth of information on everything from story craft to book marketing tips. Here is her description of the podcast:

Do you dream of making your living writing fiction, but don’t know where to start? Believe me, I understand. I worried and struggled over my writing for years, afraid it was cheesy and amateurish, and not TRULY resonating with readers. Meanwhile, at every turn, I was told I couldn’t make money this way. It takes too much time and hard work. It’s not a “real” job. I bet you can relate, right?

Well, I’m gonna let you in on a secret the traditional publishing industry—and let’s face it—most of society at large, don’t want you to know: it’s VERY possible to become a career author. To make your living writing stories full emotion, passion and morality.

With all the upheaval and negativity in our world, people NEED your stories more than ever before. Stories only you can bring to them. I created this podcast to show you how. And I promise it will take less time than you think. So, join the revolution of authors following their passion and changing lives, both their own, and those of their readers. WE…are prolific authors!

Listen to our interview below.

My Latest Interviews: 3 Podcasts To Listen To While Driving

My Latest Interviews: 3 Podcasts To Listen To While Driving

I love guesting on podcasts. It’s always so much fun chatting with the host about topics I love. Below are three recent interviews where I discussed everything from online course creation to writing and editing books to turning my hobby into a business. Check out their past episodes also. These are great podcasts to listen to while driving or working around the house.

The Course Creator’s MBA Podcast

Guesting on this podcast was a thrill for me as I’m such a fan girl. I found the podcast invaluable when I was developing my first online course, and I still listen to it regularly. On this episode, Destini Copp interviewed me about expanding my business from writing and editing books to creating online courses for writers. The episode is part of  a series where Destini chats with course creators about their journey in their online course business, how they got started, the challenges they’ve experienced, and how they overcame them. My signature course, Book Editing Blueprint: A Step-By-Step Plan to Making Your Novels Publishable, empowers fiction writers to think like an editor so they can save time and money.

Destini and I chatted about how I educated herself on marketing, website development, and sales funnels which has led to success in my online course business.

Undercurrent Stories

I stumbled onto a new podcast favorite in Undercover Stories hosted by Bob Welles. The show explores the interests that people have and seeks to discover more on a wide variety of subjects. Each episode features a guest telling all about their interest, why they do it, and Bob uncovers some fascinating stories in the process.

At some point in their lives many people have thought about writing a book. This desire is sadly often thwarted due to fears about time, commitment, and the technical aspects of editing and publishing. Since I’ve faced all these challenges, I shared with Bob and his listeners how by breaking the writing process into steps, it is possible to both enjoy the creativity of writing and produce a publishable book.

Hustle Like Hannah Podcast

podcasts

I also enjoyed talking with host Hannah Lockwood on another new favorite, the Hustle Like Hannah Podcast, your “how-to” guide and inspiration for turning your creative side into a business opportunity. Hannah, the owner of Hannah Danielle Dance, chats with inspiring people who have turned their creative hobby into a business, sharing their stories and tips to help listeners realize their potential.

Since the second novel in my Storybook Valley chick lit series, Prancing Around With Sleeping Beauty, features a dance teacher who dreams of opening her own studio, it was fun talking with Hannah, someone who has accomplished that goal. I shared about my passions for writing and publishing books, editing, and developing online courses for writers, and we discussed my journey toward making those dreams come true.

What To Expect From Literary Agents And Editors @AuthorEncounter

What To Expect From Literary Agents And Editors @AuthorEncounter

what to expect from literary agentsHave you ever wondered what to expect from literary agents and editors? You’ll get an in-depth look during the panel discussion, The E & A Experience, organized by The Author Encounter. (You can watch it at the bottom of this post!) It was part of their event, Authors March Forward, held March 20 via Zoom and streamed to Facebook.

Nan Jenkins and Bethany Averie, co-founders of The Author Encounter, believe the concept “Keep moving forward” is essential to success as a professional author.

“Moving forward, developing connections, and learning from the people who have been there are the foundations for career success.” says Nan Jenkins. “The Author Encounter strives to create opportunities for authors using these foundations for career growth.”

Bethany Averie moderated the panel, which focused on common mistakes seen in the manuscript, how agents go about accepting books, and how freelance editors work with clients. I was a panelist along with literary agents Hannah VanVels of the Belcastro Agency, Ann Rose of the Prospect Agency, and freelance editor Deb Ewing.

There were lots of great takeaways. You’ll hear about the biggest pet peeves, get valuable insight into query letters, gain a better understanding of why rejection happens, and learn more about the editing process.

Thanks to Bethany and Nan for permission to embed this discussion on my blog. Visit The Author Encounter for more information about their upcoming events and how to join as an author or supporter member.

Gifts For Friends Who Love Writing, Work From Home, Or Yourself!

Gifts For Friends Who Love Writing, Work From Home, Or Yourself!

gifts for friends who love writing

I’m excited to announce that I have a brand new Amazon Influencer store featuring books and products for writers and entrepreneurs. They make great gifts for friends who love writing or who work from home—or for yourself! You’ll find journals, business planners, writing books, home office supplies and decor, tech gadgets and accessories, video and audio equipment, and products to help with the aches and pains that come from hunching over a computer all day. Headaches, eyestrain, backaches, neck aches, carpal tunnel—you’ll find suggestions for all of those ailments and more. I also shared some of my favorite “fun” products to decompress by myself or with my family.

You can check out the main storefront here. Please note that as an Amazon affiliate, I receive a small commission on sales made through my links.

Below, I’ve included direct links to the various subcategories in my Amazon shop. I also embedded a series of three Show and Tell videos where I hold up some featured products that I own and do short reviews.

Let me know in the comments which products look the most interesting to you, if you’ve ever used any of these, or if you have suggestions for my lists. 

 

Main Storefront

Books for Writers

Home Office

Household Clutter Busters & Organization

Inspiration, Personal Development, & Journals

Technology, Gadgets, & Accessories

Business Books 

Planning & Productivity

Comfort and Health

Video and Audio Equipment

 Relaxing Hobbies & Games

Books I’ve Published

Again, you can find all of the products featured in the videos (and many more) in my Amazon store.  

Let me know what you think in the comments!

 

Discover The Ultimate Resource On Body Language For Writers

Discover The Ultimate Resource On Body Language For Writers

body language for writers

If you’re tired of conjuring up fresh ways to describe a gaze, smile, or sigh in your fiction, then I’ve got a resource on nonverbal communication and body language for writers that you might be interested in! I just released the Energize Your Writing Toolkit: Cheat Sheets for Character Emotions, a 100-page printable toolkit jam-packed with more than 4,000 emotional phrases arranged into easy-to-digest lists.

  • Put the pages into a binder that you can pull out whenever you need help showing a character’s emotions.
  • Get inspiration when you’re stuck or scenes need more emotion. Use the phrases word-for-word, refine them, or mix & match.
  • Use the blank lines and print extra copies of the page template to add your own phrases and categories.

The toolkit includes:

Overview of nonverbal communication and body language.

Detailed written instructions and examples on how to use the cheat sheets.

A walk-through video.

More than 4,000 nonverbal prompts that span 21 categories and numerous subcategories.

See It In Action nonverbal snippets from published books.

Discussion questions that guide you through finding your strengths and weaknesses.

Bonus nonverbal communication video from the online course Book Editing Blueprint: A Step-By-Step Plan to Making Your Novels Publishable.

Watch the above trailer for a quick overview and purchase here.

 

How To Write An Effective Query Letter And Synopsis For Your Book

How To Write An Effective Query Letter And Synopsis For Your Book

how to write an effective query letter and synopsis

My editing clients often ask me how to write an effective query letter and synopsis. Thank you to the team at QueryLetter.com for offering to write this guest post which outlines the difference between a query letter and a synopsis and shares some tips for how to write each of them. I’m sure you’ll find it informative. Remember, there is a free blurb unit inside the Shortcuts for Writers Facebook Group. Once you’re a member, you can download the toolkit, 7 Simple Steps to Nailing Your Book Blurb. Your blurb will become an important part of your query letter.

What’s The Difference Between A Query Letter And A Synopsis?

The publishing world is difficult. Your work isn’t over once you finish your manuscript. In fact, finishing your book is just the first step to populating bookshelves with your masterpiece! You’ll need to decide between traditional publishing and self-publishing, but if you want to see book stores stocked with physical copies of your book, traditional publishing is your best option.

In most cases, to pursue traditional publishing, you need to work with a literary agent, who will represent your manuscript and pitch it to publishers. Landing a literary agent can be a challenge, however. When doing research on pitching your manuscript to agents, you’ll come across terms such as “query letter” and “synopsis,” which may be unfamiliar to those new to publishing.

In this post, we’ll take you through the key differences between query letters and synopses and offer some tips on writing both.

What Is A Query Letter?

When you pitch your manuscript to a prospective literary agent, the most important element is your query letter. Your query letter is your chance to introduce yourself and your manuscript to the literary agent and explain why she should be interested in representing your book. The key purpose of a query letter is to intrigue the literary agent into requesting more info about your manuscript, and your query letter thus represents your first step in the publishing process.

Query letters are short, no longer than one page, and provide only a brief overview of your manuscript and your author bio. Since your space is extremely limited, you’ll need to make every word count. Essentially, you have only a few sentences to sell your book to a prospective literary agent.

What Is A Synopsis?

Whereas the query letter focuses on the whole picture, meaning you, the agent, and your manuscript, the synopsis is concerned with your manuscript alone. In essence, a synopsis is a one-to two-page description of the entire plot of your book, including the ending. It gives a prospective literary agent an in-depth glimpse into your plot and helps her determine whether your manuscript may be worth a full read.

Sometimes, literary agents ask prospective clients to submit a synopsis along with a query letter, but in most cases, the synopsis is the second step in the publishing process. In general, if you manage to pique a literary agent’s interest with your query letter, she’ll follow up by requesting a synopsis, and if she likes your synopsis, she’ll request your full manuscript.

How To Write A Query Letter

Typically, a query letter consists of two main parts: the hook and the pitch. In the hook, your job is to draw the agent’s attention with an interesting opening sentence that captures the essence of your manuscript. The pitch elaborates on the hook, providing an overview of your manuscript in two to three paragraphs that may include mentions of comparable books on the market. Finally, your query letter may include a brief author bio describing your experience and reputation—for example, if you have previous publications.

The main purpose of your query letter is to succinctly sell your manuscript. Condensing your 80,000-word manuscript into a few sentences can be difficult, so it’s better to start small and build up. Start by summarizing your plot in one or two sentences and build off that, adding only the most relevant and intriguing information. Take some time to consider the main themes and questions your manuscript deals with to help you best summarize your work.

Use others’ query letters to inspire you, as well. With a quick Google search, you can find thousands of query letter examples, so do some research into what kinds of query letters have successfully landed literary agents for other authors in your genre. This will give you a better idea of how best to structure your query letter for success.

Finally, always personalize your query letter. You can find out more about the agent you’re pitching to by browsing her social media or website, which will likely reveal her interests and the books she has represented previously. If it’s relevant, include this information in your query letter while explaining why you think this particular agent is a good fit for your manuscript.

How To Write A Synopsis

As with a query letter, your primary goal with your synopsis is to succinctly summarize your manuscript in a way that intrigues literary agents. A synopsis gives you more room than a query letter: Typically, a synopsis should be 500 words, or around two pages, unless the literary agent specifies another length. This affords you enough words to explain the main points of your plot and give the agent a solid overview of your story.

Think of a synopsis as an abridged version of your manuscript. It tells the same story, but all the details are cut out. It simply moves through all the key plot points. It has a clear beginning, middle, and end, just like your manuscript. A good way to build a solid synopsis is to start by condensing each chapter into one or two sentences. From that, build a comprehensive synopsis with a clear narrative arc that explains the major plot points.

Your writing style matters in your synopsis, too. Keep things clear and concise—no flowery prose or wordiness. At the same time, don’t just mechanically explain each event. Use your personal style and make the literary agent feel something. Your synopsis should be a mini version of your manuscript, not an emotionless description.

The Importance Of Feedback

Aside from helping to proofread your query letter and synopsis to eliminate typos, a trusted writing colleague, beta reader, or friend can be instrumental in providing feedback that helps you detect issues with clarity or style. A polished query letter and synopsis will maximize your chances of success, so seek out and incorporate as much feedback as you can, finding ways to improve your query letter and increase the intrigue.

If you don’t know where to start in terms of writing your query letter or synopsis, reach out to the team at QueryLetter.com. As experienced industry professionals, the QueryLetter.com team knows publishing inside and out, and they work with authors to help them navigate the challenges of the publishing world and get their books out on bookshelves.

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